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There was fretting that the software suffered as Apple grew far beyond its creative professional niche with the mass-market success of the iPhone-particularly after a Final Cut Pro layoff early in 2010. Based on what I learned during my conversations with Apple, I believe this release provides us with an opportunity for a large step forward."įinal Cut Pro X has been a long time coming. "I no longer feel, as I once thought, that this is a step backward. "While I can't tell you what Apple told me until after the NDA lifts with the release of the product, I can tell you that what I learned during those conversations has completely changed my opinion," Jordan wrote on his blog last week. Apple has a very poor track record of perfect dot-zero releases.īut after a follow-up meeting with Apple engineers, Jordan has reconsidered. I guarantee you that on day one when the dot-zero release ships, it will not be ready for professional release.

Whenever you've got something that's that big a rewrite, stuff gets changed, stuff gets left out, stuff gets added later because they can't get it all rewritten. There is not a single line of Final Cut that is existing in the old version to the new version. It is a complete and total rewrite from every single level of what Final Cut has been.

In a talk to the Los Angeles Final Cut Pro user group, he raised the prospect that it might merely be "iMovie on steroids." Specifically, he said:
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Larry Jordan, a TV producer and digital video trainer, declared this spring that Final Cut Pro "will not be ready for professional use" upon its initial release. Each of those costs $49.99.Īpple has won over one prominent expert who, after an early look at Final Cut Pro X, had expressed worries about how bold a departure its new interface would be.
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It's joined on the consumer end by iMovie, the video-editing software that's available both on Mac OS X as part of the iLife suite and on iOS as a standalone purchase for the latest generation iPhone, iPod Touch, and iPad.įinal Cut Pro also comes with two accessory programs, Motion 5 for professional motion graphics and Compressor 4 for media encoding. The software requires a Mac with an Intel Core 2 Duo processor or better, at least 2GB of memory, and an OpenCL-compatible graphics system with at least 256MB of video memory, and Mac OS X 10.6.7.įinal Cut Pro X makes its debut on the Mac App Store, the only way people can buy the new video-editing software.įinal Cut, which helped unseat Avid Technology's high-end editing system when mainstream technology grew powerful enough, is Apple's top-of-the-line video-editing product. The software uses a design that can take advantage of multicore processors and increasingly powerful graphics chips as well. Apple has also brought "skimming," the feature that lets people preview the content of a clip just by moving their mouse across it. Apple had added both those features to the most recent version of iMovie, and they're not the only iMovie carry-over. Intel's Thunderbolt: What you need to know (FAQ)Īmong its new features is a tool that detects when are people in shots, as well as what type of shots those are-close-up, medium, or wide-angle.

A report from Japanese Mac blog Macotakara last week correctly pegged the release of Final Cut Pro X as happening sometime this week. The application debuted in a demonstration at a Final Cut user group event alongside the National Association of Broadcasters show in Las Vegas in April, but Apple kept mum on further details. Apple said the software "completely reinvents video editing with a Magnetic Timeline that lets you edit on a flexible, trackless canvas Content Auto-Analysis that categorizes your content upon import by shot type, media and people and background rendering that allows you to work without interruption."
